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Puppenspiel - CD 2008
Side-Line magazine
Electro Gothic
germaniac.com
gothtronic.com
REVIEWS
Side-Line Magazine

Unheilig is one of these bands with an unlimited productivity.
Productivity isn't always synonymous with quality, but Unheilig is
like a good old wine.
"Puppenspiel" is for sure a mature production on which you can find
back all familiar ingredients like the deep, penetrating vocals of
their charismatic frontman, the powerful guitar riffs a la Rammstein
and the electro-pop arrangements. Add to this some songs with a
clear, emotional mood and you get an idea about this "Puppenspiel".
The song "Lampenfieber" is my absolute favourite song and even one
of my personal faves ever. It perfectly combines the aforementioned
elements together with a carrying chorus. This is pure sensation!
Next to this great piece of music we also get some attention
grabbers like the opening song "Vorhang Auf" and "Spiegelbild" (both
with the typical Rammstein feeling in the guitar play), the more
emotional and pop-like "Feuerengel" and "Kleine Puppe" for its
carrying and popular sounding chorus. Unheilig delivers an album of
diversity with different captivating songs. In the end we can say
it's a fascinating and successful release!
Side-line.com
Electro Gothic

The end of February 2008 will finally see the long awaited Brand
New album
from German Electro / Metal heroes Unheilig. New album "Puppenspiel"
("Doll
Play") is a thematic continuation of themes found on preceding
albums
"Zelluloid" and "Moderne Zeiten" with a seamless merging of
Electronics,
guitars and expressive vocals. Unheilig present more musicality and
diversity than ever before on an honest, open set of songs and
ballads full
of throbbing bass lines, powerful beats and singularly unique
vocals.
Electro Gothic
Germaniac

There are many bands that undoubtedly are great
overall, but on every record amongst the masterpieces there’s a
bunch of a lot inferior or even downright bad songs. A prime German
example of such a band would be KMFDM. Every album has its fair
share of instant classics, yet to counter them there’s always a
couple of really insignificant and inane tracks that don’t do
anything to justify their existence. But what does this have to do
with Unheilig?
Yeah, nothing at all, because Unheilig isn’t like that. On
Unheilig’s latest offering Puppenspiel (released February 22nd) Der
Graf shows yet again his nearly unreal talent in songwriting and
manages to churn out a full 14 tracks (16 if you’ve got the limited
edition, like yours truly), every single one of which are enjoyable.
Yes, the previous albums Moderne Zeiten and Zelluloid were both very
solid and the same could’ve been said about them, but Puppenspiel is
bordering perfection. To be quite honest, I was kind of skeptical
when the first three samples of the album (Der Vorhang fällt, An
deiner Seite and Kleine Puppe) were revealed. They were good, but
they didn’t predict that many changes to the sound and formula that
proved to be a winning combination on the last two CDs. However,
when the urgent intro Vorhang auf exploded perfectly into
Puppenspieler, it grabbed me by the throat and didn’t let go until
I’d listened the CD straight through.
Most of the album is darker and notably more furious than the almost
overly sluggish and romantic Moderne Zeiten, especially Lampenfieber
is a surprisingly brutal cut for Unheilig, while the ballads
Feuerengel, An deiner Seite and Der Vorhäng fällt are no slouches
either, as they are genuinely touching and powerful. Guitars seem to
have more of a driving role here than electronics making for a
heavier sound than before, although synths, pianos and strings are
still a large part of the band’s sound. Der Graf also uses his voice
in ways we haven’t heard before. Too bad the limited edition is
already completely sold out, as the two bonus songs are also
terrific additions to the core experience. Probably the only song
that doesn’t stand out as much as everything else is Wie viele Jahre,
which seems more like filler with its weird, out-of-place Gregorian
sample and is grudgingly slow.
In other words, Puppenspiel is tougher, catchier, more epic and
simply put better than anything Der Graf has created before. It’s
chock-full of songs that’ve been composed and produced so
excellently that it’s almost ridiculous, a brilliant, expert
combination of both familiar and new Unheilig elements. For fans
it’s automatically a must-have, and if you’re not a fan of Unheilig
yet, Puppenspiel proves that you bloody well should be, it’s that
damn good. Get it and see for yourself.
Check out samples for each track on Nilaihah’s website, where you
can also order it if you’re in the US. When you’ve got the album,
don’t forget to vote for your favourite title on the German side of
Unheilig’s website.
Review by Gregory E. Pilling
for
www.germaniac.com
Gothtronic

Puppenspiel thematically and stilistically
connects to the previous albums Zelluloid and most notably Moderne
Zeiten. Puppenspiel is born from personal experiences of Der Graf
but as a metaphor can also be applied to man and his position in the
world. Unheilig doesn’t introduce any new surprises on this album,
yet brings us where they’re good at: decent electro-rock crossover
tunes somewhere in between Rammstein, Oomph! And German indiepop.
The heavy guitar centered songs have gained depth with an
instrumentation that contains violins, as can be heard in songs like
‘Spiegelbild’ and ‘Fang Mich Auf’. The songs are mostly
characterized by a balance between power and melancholy and the
production is just great. It is also danceable with the heavy
electro sequences, beats and grooves. Listen for example to ‘Dein
Clown’ or ‘Lampenfieber’. It however are more than ever before the
quiet songs, such as the beautiful ‘Sei Mein Licht’, which deliver
and with that the bans shows they are still developing and able to
address an ever growing fanbase. Puppenspiel again makes a good
Unheilig album that will be a delight to the fans.
Review by TekNoir for
www.gothtronic.com
back to Unheilig Puppenspiel
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